Monthly Archives: August 2009

Four cracking novels

This summer I’ve been reading John Kennedy Toole’s A Confederacy of Dunces, Joshua Ferris’ Then We Came to the End, Nicole Krauss’ The History of Love and Katherine May’s Burning Out.

I tried to put all the book covers up here but it took me 20 minutes and I kept deleting them and I got too annoyed. You’ll have to make do with that one.

I’m a VERY fussy novel reader, and I thought all four of these books were excellent – all very different, and all very distintive in their own way. Have you read them? What did you think?

Speaking of novels, The Blue Handbag and The Letters are £4.79 on Amazon UK at the moment, which seems ridiculously cheap. I wonder how the poor author makes a living? ; )

Thank you for your kind messages. This week has been a non-difficult week, and I’m looking forward to getting back to work and cracking on with my current novel, Joe in Amsterdam. I think I might be on my final draft.

Right – I’m off to a birthday lunch.

A difficult week, and beauty

This afternoon I watched ‘Heima‘ by Sigur Ros.

Sigur Ros are an icelandic band who make exquisite, ethereal music. This film follows them around their homeland (the meaning of heima) as they put on a series of free concerts as a way of giving something back.

As I’d expected, it is a stunning film. Whatever the camera focusses on – children’s faces, wide open Icelandic landscapes, green mould on the wall of an abandoned fish factory – the shots seem perfect. It was as if the camera is loving everything it sees, and this makes it beautiful.

There are snippets of interviews with the band, including the lead singer Jónsi Birgisson. He is a skinny bloke with slightly crooked teeth, and he looks beautiful too. Give me this variety of beauty over the airbrushed covers of Vogue any day. Look around you right now. Can you see the beauty out of your window? In your room? In your mirror?

I’ve had a difficult week, but even this has the potential to be transformed by the eye of the beholder. Difficult weeks can also be ones where you learn a great deal about yourself, and start to build certain kinds of strength. We can find beauty in suffering if we persevere, gently, with patience.

I’m feeling grateful for Sigur Ros, and for the people around me, and for many other things. Including this poem – one of the first I formed a proper relationship with, when I was fourteen. Here’s to beauty (clink).

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Beauty

What does it mean? Tired, angry, and ill at ease,
No man, woman, or child alive could please
Me now. And yet I almost dare to laugh
Because I sit and frame an epitaph–
“Here lies all that no one loved of him
And that loved no one.” Then in a trice that whim
Has wearied. But, though I am like a river
At fall of evening when it seems that never
Has the sun lighted it or warmed it, while
Cross breezes cut the surface to a file,
This heart, some fraction of me, happily
Floats through a window even now to a tree
Down in the misting, dim-lit, quiet vale;
Not like a pewit that returns to wail
For something it has lost, but like a dove
That slants unanswering to its home and love.
There I find my rest, and through the dusk air
Flies what yet lives in me. Beauty is there.

Edward Thomas

Attraction not promotion – like bees to honey

Hello, I’m back! Well, I’m not officially back yet, but I missed you, and I couldn’t wait until next week to write. Did you miss me?

It’s been interesting to take some time away from blogging, and from sitting at my computer morning after morning.

I’ve written here before about how I handle self-promotion (and being an egogooglaholic).

A phrase I’ve been mulling over is one I’ve borrowed from the Twelve Step programmes (e.g. A.A.) – ‘attraction not promotion’. It advises people working the Twelve Steps to be living examples of the benefits of the programme, so that relatives ask them what they’re getting and where they can get some, rather than shoving the benefits down people’s throats in a desperate attempt to get them to try the programme out for themselves.

This concept feels pretty relevant to how I go about selling my novels. Whenever I feel like I’m trying to persuade someone to read my stuff, then I’m onto a loser. Instead I will quietly go about doing what I do to the best of my ability. I can write my books and blog posts. I can make sure there are synopses, reviews and interviews out there. I can do no more.

If I get it right, people will go to my books like bees to honey. Not like stubborn donkeys being dragged by a rope.

Aaah. It’s good to be back! Hope you’re having a good summer.

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PS seconds after finishing this post I found this rather lovely 5 star review for The Blue Handbag on Amazon. Would I be contradicting myself if I re-printed it here? Answers on a postcard ; ) and thank you ‘Star Ling’ whoever you are…

Mysterious Handbag with a secret to tell by Star Ling (UK)

The Blue Handbag by Fiona Robyn is an excellent read. The novel is written in the third person present tense which took me by surprise. But it works so well. I was “in” there straightaway from the first page.

The protagonist, Leonard, is an endearing widower who is so real and normal that I warmed to him straightaway. The plot twists and turns but you never flounder and think where’s all this going? That there’s a secret is obvious from the start. But what the secret is, is revealed very cleverly, layer by layer.

The author has a couple of red herrings lying in wait and I found myself changing my mind just as Leonard does, as more information is revealed. It’s almost a mystery, without a murder! If you like “solve it” type of novels, this would be one for you.

But even if you’re not into mystery novels, this is worth a read. The romance is tender, the pace, although “here and now” is actually quite fast paced. The reader sees things through Leonard’s eyes and follows his train of thought as it goes off at a tangent – just like one’s thoughts do in real life. But you have to keep reading. You have to find out what the secret is.

A very neat, concise novel, an interesting cast of characters and a compelling plot that draws you along. Great for a holiday read or a back to work read – I rate this novel very highly indeed. And don’t be put off by someone comparing Fiona Robyn to Joanna Trollope. Robyn is miles better than Trollope!

Summer holidays

I’m taking a few weeks out of my ordinary routine, including a trip to Amsterdam to do some research for my work in progress.

I’ll be here less often if at all, and I wanted to wish you all marvellous rest-of-Augusts.

Couldn’t leave without a little sunny poem.

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Hummingbird

Suppose I say summer,
write the word ‘hummingbird,’
put it in an envelope,
take it down the hill
to the box. When you open
my letter you will recall
those days and how much,
just how much, I love you.

Raymond Carver

How I got published

Terresa asked a few days ago about my journey to publication, so I thought I’d reprint this little piece I wrote for Bookerazzi a little while ago. If you have any getting-published-related Qs feel free to ask away.

I was writing a daily journal during 2003, and one morning a character called Ruth ‘turned up’ and asked me to write her story. I thought I’d try writing it as a novel, as an experiment.

After writing poetry for years and years I wasn’t sure that I could manage not the usual 20 or 100 words, but 80000 in a row. I set myself a modest target of words per day, and six months later I had a first draft.

I’d already had years of experience of having my poems rejected (alongside the odd acceptance) and so, along with what I’d heard about how difficult it was to get a publishing deal, I decided early on that getting published was a ‘long term goal’.

My medium term goal was writing as good a book as I could manage. My short term goal was writing the next sentence rather than wandering off to have another cup of tea.

It was being clear about publication being a long term goal, and focussing on the pleasure of the process of writing, that helped me through the next five years.

I got an agent, but she couldn’t find me a publisher. We parted company. I wrote two more novels. I self-publised a self-help book and two books of poetry to keep me going. I continued looking for a new agent, and submitted my manuscripts all over the place.

And then in July I got an email from Snowbooks, out of the blue. They liked my novel. They’d like to see my other ones. They liked them too.

‘The Letters’ came out in March 2009, followed by ‘The Blue Handbag’, and ‘Thaw‘ is next. I’m a very lucky person. But I still believe that if you write well, there isn’t any reason why you shouldn’t be published, eventually, if you keep trying.

It took me five years – it could have taken ten, or fifty. However long it took, I knew that I’d continue to write – because I love to write. I need to love it, because it’s the most difficult part of my life. The most difficult, and the most important.

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PS Sage’s archived newsletters are now available to view for free online – here you go.

PPS Thank you for all your feedback about blogging Thaw – I’m definitely going to go for it. But you’ll have to wait until March!

PPPS The kitten has no relation to anything in this post. I know I shouldn’t approve of animals in jumper, but this is my favourite Rachel Hale photo – the little chap is called Snickers. Happy weekend!

Your opinions sought (readers, writers, book-buyers)

I’d like to run something by you, lovely people.

I’m planning on blogging my ENTIRE third novel, Thaw.

The novel consists of Ruth’s diary over three months as she decides whether or not she wants to carry on living.

Ruth’s diary starts on March 1st, and the paperback of the book is out on February the 1st next year. I’d be blogging the book, one day per day, one month after the book comes out and over the next three months.

Here’s how the blog will look.

So what do you think? Would you be interested in reading an entire novel in this fashion? Might you be tempted to buy the book rather than wait for the rest of the story to appear? Have you heard anything about authors that give away books ‘for free’? Would it be better to just blog the first month or two? (that feels mean to me)

I’d be really interested in your feedback.

PS the photo is Maggi Hambling’s Scallop (2003) in Aldeburgh on the Suffolk coast, which is important to the climax of the novel…

PPS I have checked this out with my lovely publishers at Snowbooks. It would have been naughty not to.

PPPS many thanks to the lovely jem of - the sound of splinters - for making the little pictures for me – she’s offered to make me three months worth – hurray for jem.

Good stuff from elsewhere and The Perfect Teaching

Some good stuff from elsewhere for you today.

I’ve talked previously here about my friend Sage’s fantabulous book about writing poetry, Writing The Life Poetic – if you haven’t got it yet then shame on you.

She also sends out a montly newsletter which is chock full of interesting and well written articles – you can read example articles at her blog (I especially like this one by Dale Favier on using less force when encountering resistance) or just sign up here and give ‘em a go.

My friend Jo at All Of These Things has written a great piece about being a writer – A Theory of Creativity. She also sent through a rather splendid vid from YouTube – Nirvana vs Rick Astley: Never Gonna Give Your Teen Spirit Up - it shouldn’t work, but it’s strangely compelling…

Finally if you have a Typepad blog and you’ve been waiting for a handful of stones widget, you can now have one. It has a small and slightly annoying advert on the top left hand corner unless you pay a bit of money, but it still looks pretty good (here’s one at Causerie).

Oh, and I liked my Daily Dharma today – it feels very appropriate.

What is the Perfect Teaching?
The perfect teaching is the one before you. Richard Baker Roshi once told of a dream he had: He was trying to find the answer to a question, and the telephone rang. He ignored the phone and focused instead on the question. On the 30th ring he picked up the phone, and the answer came to him through the receiver. What he had labeled a distraction was really the point.

Dairyu Michael Wenger, Tricycle

Silver chick earrings and publication day

My friend Jo admired my silver chick earrings when we met at the weekend, and I was happy to share Joanna Rutter’s details with her and thought you’d like them too. Here’s her shop on Etsy.

She makes beautiful hand-made jewellery (I still can’t spell jewellery at the age of 35 – outrageous) and I’m very happy indeed with my chicks. I’ve also sent the link to my lovely boyfriend as an early hint for Christmas.

I got three separate emails from people yesterday from people wanting to say how much they’d enjoyed The Letters or The Blue Handbag - perfect timing. I think I’ll always feel a bit wobbly on publication day. It’s difficult to tell the difference between these days and any others, because nothing actually happens, except a few shops somewhere might be putting my books onto the shelves. Will anyone see them? Will anyone pick them up? Will they just get sent back to Snowbooks in a few months time?

So thank you to those people and to anyone else who every emails or comments or reviews a book somewhere online. It makes a BIG difference. Maybe when I’m a millionaire and am attacked by screaming fans wherever I go I won’t appreciate getting them so much, but I truly doubt it. And thank you, dear reader, for reading this!

PJ Harvey, Praise You and funny faces

I saw PJ Harvey perform at Bestival a couple of weekends ago. I’m a big fan of her music, and it was such a privelige to watch and listen to her sing her favourite songs solo as she played various instruments to accompany herself.

She gave herself utterly to the performance. Her voice was exquisite, but she played the songs with her whole body. It was more like channeling. You could see the joy and the pain around her like a halo.

It reminded me of the classical musicians that used to come into school when I was 8 or 9 to play their instruments for us. They’d blow on their trumpet, or strum their harp, and I’d watch their faces. They made funny expressions, squinching up their cheeks or their shoulders or shutting their eyes. They were ecstatic. They entered the music.

It felt like I ought to laugh at these musicians, because they looked so silly, but somehow I didn’t want to. I was transfixed. Maybe this is how it always is, when we enter into something entirely. We look like an idiot, but we are also at our most beautiful. Just like these dancers in Fatboy Slim’s Praise You, one of my favourite music videos.

It’s so difficult to take our attention away from what people might be thinking about us. But when we can…

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PS Happy publication day to me, happy publication day to me, happy publication day dear Fiona…. happy publication day to me ; )