This is not one of our river of stones guest posts, as it's by Kaspalita, but it is a 'River' post... Kaspa has found some advice from Ted Hughes that he wants to share. The river of stones is our mindful writing challenge. Properly notice one thing each day, and write it down. Click here to find out more.
Kaspa writes: As I write this, the antepenultimate day of 2011 is drawing to a close. I have just closed the curtains behind my writing desk - the seal grey clouds are fading to black. Fiona and I spent the day in the famous Welsh book town, Hay-on-Wye. The last bookshop we called in was off the main street, just around the corner from the small concrete library. The Poetry Bookshop is housed in the Ice House, an 18th Century stone building. Fiona and I had ample time to explore all its wonders. We were accidentally locked inside by the shopkeeper.
I think the three of us must have been engrossed in our various readings so completely that Fiona and I failed to notice the shopkeeper leaving, and locking the door, and he failed to notice us crouching behind the short bookshelves.
I found a couple of telephone numbers on a post-it note stuck to the till and eventually managed to get hold of one of the shop's owners to come and let us out. I heard her laughter down the phone and couldn't help smiling.
The book that I had been so engrossed in reading was Ted Hughes' Poetry in the Making, based on a series of radio programmes he made for children. I fell in love with the first chapter whilst I was stood in the Poetry Bookshop, and the point of this ambling post is to share a little of Hughes' wisdom from there with you.
He suggests that his own poetry writing was an extension of the animal catching that he did as a child and teenager. Hughes says that writing a poem is like capturing something alive, something that exists outside yourself.
I like this idea a lot, but it was this piece of advice for writing poems that I wanted to share with you:
Put your whole attention on the thing you are writing about. Do not worry about the words. Put your whole attention on the thing, and you will capture a spirit.
Kaspa writes: As I write this, the antepenultimate day of 2011 is drawing to a close. I have just closed the curtains behind my writing desk - the seal grey clouds are fading to black. Fiona and I spent the day in the famous Welsh book town, Hay-on-Wye. The last bookshop we called in was off the main street, just around the corner from the small concrete library. The Poetry Bookshop is housed in the Ice House, an 18th Century stone building. Fiona and I had ample time to explore all its wonders. We were accidentally locked inside by the shopkeeper.
I think the three of us must have been engrossed in our various readings so completely that Fiona and I failed to notice the shopkeeper leaving, and locking the door, and he failed to notice us crouching behind the short bookshelves.
I found a couple of telephone numbers on a post-it note stuck to the till and eventually managed to get hold of one of the shop's owners to come and let us out. I heard her laughter down the phone and couldn't help smiling.
The book that I had been so engrossed in reading was Ted Hughes' Poetry in the Making, based on a series of radio programmes he made for children. I fell in love with the first chapter whilst I was stood in the Poetry Bookshop, and the point of this ambling post is to share a little of Hughes' wisdom from there with you.
He suggests that his own poetry writing was an extension of the animal catching that he did as a child and teenager. Hughes says that writing a poem is like capturing something alive, something that exists outside yourself.
I like this idea a lot, but it was this piece of advice for writing poems that I wanted to share with you:
... You do not have to worry about [words killing each other] as long as you do one thing.
That one thing is, imagine what you are writing about. See it and live it. Do not think it up laboriously, as if you were working out mental arithmetic. Just look at it, touch it, smell it, listen to it, turn yourselves into it. When you do this, the words look after themselves, like magic. If you do this you do not have to worry about commas or full-stops or that sort of thing. You do not have to look at the words either. You keep your eyes, your ears your mouth, your taste, your touch, your whole being on the thing you are turning into the words. The minute you flinch, and take your mind off this thing, and begin to look at the words and worry about them ... then your worry goes into them and they set about killing each other. After a bit of practice [...] You will read back through what your have written and you will get a shock. You will have captured a spirit, a creature.
That one thing is, imagine what you are writing about. See it and live it. Do not think it up laboriously, as if you were working out mental arithmetic. Just look at it, touch it, smell it, listen to it, turn yourselves into it. When you do this, the words look after themselves, like magic. If you do this you do not have to worry about commas or full-stops or that sort of thing. You do not have to look at the words either. You keep your eyes, your ears your mouth, your taste, your touch, your whole being on the thing you are turning into the words. The minute you flinch, and take your mind off this thing, and begin to look at the words and worry about them ... then your worry goes into them and they set about killing each other. After a bit of practice [...] You will read back through what your have written and you will get a shock. You will have captured a spirit, a creature.
Put your whole attention on the thing you are writing about. Do not worry about the words. Put your whole attention on the thing, and you will capture a spirit.
10 comments:
Great post. I'd love to get locked into a bookshop (although I'm not sure I'd be so conscientious as to ring the owner, I might just stay the night and read). I also love Ted Hughes' poetry. Thought Fox is a perfect representation of creativity.
Wonderful -thank you. I've spent many hours in the bookshops in Hay and its not hard to imagine how you came to be locked in. Such treasures are to be found ... and that pleasure of total absorption in words.
WOW! Yes. Thanks for sharing that Kaspa. First, and thank you for telling the little story of getting locked into the shop... I can hear her laughter across the Atlantic. I love her already.
As a writing teacher to college students, this is exactly the kind of teaching/unteaching I try to convey. I think once a writer experiences the feeling of it, it does get somewhat easier.
Lovely.
How wonderful to be locked in a bookshop! Thank you for sharing Ted Hughes' advice, I shall be buying his book.
An excellent quote. Writing from the heart always gives life to our words.
Thank you! This is the advice I needed to hear today ~ I'm new to "a river of stones", and was just thinking about whether I've been doing this "right". I'm hoping this information will help me, as I think I've fallen (inadvertently) into an intellectual trap with this project currently....need to "forget about the words!" Thanks again!
Thanks for the ;), and the passed-on advice!
Thanks everyone.. Yes it's not the worst of places to be locked into ;)
Fi, I do like Thought Fox. Its one of the examples Hughes uses himself, in this chapter, as it happens.
Best Wishes everyone
Thanks for sharing this, Kaspa. I'm new to poetry and needed these words. I look forward to reading Ted Hughes with great anticipation.
Also--loved your bookshop story. It made me smile.
Thanks, again.
Thanks Mary, glad the story made you smile :)
Post a Comment