Category Archives: book review

Interview and book review with Katherine Jenkins, author of ‘Lessons from the Monk I Married’

Fiona writes: We have a special creativity interview today. Regular readers might already know that I married a Buddhist monk of my own, Kaspa, and so when I came across the title of Katherine’s book online I just had to get in touch…

Katherine first travelled to South Korea to look for the kind of answers a lot of us struggle with – what’s it all about? How can we find peace, happiness and meaning in our lives? During her first months there, she happened to visit a remote temple, where she happened to meet a Buddhist monk, Seong Yoon Lee. Months later, they met again by chance—and fell in love. The rest is history…

Katherine’s journey was much longer, more complicated and more challenging than my own brief intense courtship. Throughout the ups and downs, she takes learning from the difficulties life throws at her. How can we surrender and let go when we want to cling? Paradoxically, when we can surrender, what (or who) we want is often more able to come towards us…

A lovely book – very human, very ordinary (despite extraordinary circumstances), and very wise. Just like Katherine, I’d bet.

And so I’m very pleased to be welcoming Katherine to our creativity interview series today.

Katherine, what drives your creative work?
I think creativity drives itself. I often am surprised and wonder where it comes from.

What would you say to yourself if you could go back in time and meet yourself at the beginning of your creative career?
“Pull yourself together” or “It will all work out in the end.”

How do you keep creating when things get difficult?
I think creativity can’t be forced. Creativity happens when you least expect it to. It comes on its own accord. If it’s not happening, then it’s not happening. If I am stuck, I do something else, like have a cup of tea or take a bath.

How does your creative work affect the rest of your life?
Creativity often strikes me at the strangest times. It comes in the middle of the night or while I’m at the bank or something. In those moments, I know I have to get things down on paper. Words are the way the world filters through me, but they don’t always come at the most convenient times.

What is it like to send your work out into the world?
Scary! It’s one thing to write something close to my heart and it’s quite another to have hundreds of people reading it. At the same time, it’s exciting and wonderful to share the work that I have created. I think that’s how we connect with one another and how we realize how alike we really are on a human level. I also think we are our own worst critics. Perhaps that comes from identifying too much with what we write instead of just letting the writing be what it is.

What was the best advice anyone gave to you?
Wow! I don’t think I can pin that one down. The best advice for writing: JUST WRITE! (I think I have a blog post on that one!)

What helps you to pay attention to the world?
Meditation has certainly helped me to tune in more to my surroundings. I think creativity comes from space—at least it does for me. When there’s no space in my life, it’s very hard to hear what the world wants to say. I think the world is always speaking to us in subtle ways.

Thank you Katherine. Good luck with your book!

“Katherine Jenkins’s beautiful memoir is a wonderful story of listening to one’s heart through both hardships and joy alike.”
~Sharon Salzberg, author of Lovingkindness and Real Happiness

Biography: Katherine Jenkins is the author of the popular blog Lessons from the Monk I Married, which offers lessons based in the Buddhist tradition and drawn from her daily experiences. Jenkins spent over eight years in South Korea, where she met her husband in 1996. Jenkins moved back to the States with her husband in 2006, where they became managers of the Northwest Vipassana Meditation Center in Washington State. Today, Jenkins lives in Seattle with her husband, who is a popular yoga teacher and lecturer, and she teaches English as a Second Language at Edmonds Community College.

For more information, visit Katherine’s site or find Katherine on Facebook. Here’s the book on Amazon US and Amazon UK.

Book review – Rethinking Depression: How to Shed Mental Health Labels and Create Personal Meaning by Eric Maisel

Fiona writes: The title of Eric Maisel’s latest book had me nodding. I’ve never liked the idea of sticking labels onto people, either in my role as a psychotherapist or in my life outside the consulting room.

In the first section of this book, Eric wants us to see how diagnosable mental health problems are more useful for the mental health industry than they are for the individuals seeking help. He is persuasive, and much of what he writes chimes with my personal experiences.

I wonder if some nuance was lost in this critique – my own experience is that there is much good in the psychotherapy profession, and also much that is dysfunctional in the coaching profession (to which Eric belongs). Maybe I’ve been in a privileged and unusual position as a psychotherapist but as a result of my trainings I was already ‘on board’ with most of what the book propounds.

The second (larger) section of the book describes an alternative approach to dealing with ‘depression’, including making our own meaning, self-care, and taking responsibility for our emotional well-being. The emphasis is on ‘natural emotional responses to life’ rather than pathologisation (this might not be a real word), and individuality and complexity versus over-simplification and diagnosis. I found these chapters both practical and inspirational.

Overall I was given much food for thought. What effect are we having on people when we (in our position of power) provide people seeking help with a paradigm for their distress? What are the advantages and disadvantages to our clients of these labels? How can we be better at letting go of all our preconceptions and approach each person without thinking ‘oh, this is what’s happening’ or ‘oh, they need this’? How can we meet as two human beings?

This is an important book for people who’ve had their own experience of being ‘labelled’, and for their loved ones. It should also be read by mental health professionals as a reminder that, as Terence reminds us, nothing human will be alien to us. We are all in the same rickety boat.

I was grateful for the opportunity to read this book, and to take part in Eric’s blog tour. Here’s to ordinary human unhappiness!

Eric included these questions and answers as a part of his blog tour ‘pack’ (he was very efficient) and they give you a good sense of the book. Here’s where to buy it in the UK (paperback or Kindle) and in the US (paperback or Kindle).


Q and A with Eric Maisel – Rethinking Depression

The first section of your book focuses on debunking depression as a “mental illness,” which is not to say that sadness and unhappiness cannot be debilitating. Can you briefly describe the main thrust of your argument?
What I hope to demonstrate is that there is something profoundly wrong with the way we name and treat certain human phenomena. When we call something a “mental disease” or a “mental disorder” we imply a great deal about its origins, its treatment, its intractability, and its locus of control. The mental health industry has its reasons for calling life’s challenges “disorders,” but we have few good reasons to collude with them. I ask that readers who do feel depressed seek help. I hope that this book aids people in understanding what help to ask for from professionals and what help we should realize they can’t possibly offer us.

If there is no “mental disorder of depression,” why are millions of people convinced that “depression” exists?
As soon as you employ the interesting linguistic tactic of calling every unwanted aspect of life abnormal, you are on the road to pathologizing everyday life. By making every unwanted experience a piece of pathology, it becomes possible to knit together disorders that have the look but not the reality of medical illness. This is what has happened in our “medicalize everything” culture. In fact, the word depression has virtually replaced unhappiness in our internal vocabularies. We feel sad but we call ourselves depressed. Having unconsciously made this linguistic switch, when we look for help we naturally turn to a “depression expert.” We look to a pill, a therapist, a social worker, or a pastoral counselor — even if we’re sad because we’re having trouble paying the bills, because our career is not taking off, or because our relationship is on the skids. That is, even if our sadness is rooted in our circumstances, social forces cause us to name that sadness “depression” and to look for “help with our depression.” People have been trained to call their sadness “depression” by the many forces acting upon them, from the mental health industry to mass culture to advertising.

If there is no “mental disorder of depression” but only human sadness mislabeled as “depression,” what are your thoughts about antidepressants and psychotherapy?
Chemicals have effects and they can alter a human being’s experience of life. Chemicals can affect how your mind works. Chemicals can affect how you sleep. Chemicals can alter your moods. That a chemical called an antidepressant can change your mood in no way constitutes proof that you have a mental disorder called depression. All that it proves is that chemicals can have an effect on mood. There is a fundamental difference between taking a drug because it is the appropriate treatment for a medical illness and taking a drug because it can have an effect. This core distinction is regularly obscured in the world of treating depression. Psychotherapy, too, can help remediate sadness for the simple reason that talking about your problems can help reduce your experience of distress. Psychotherapy works, when it works, because the right kind of talk can help reduce a person’s experience of unhappiness. To put it simply, chemicals have effects and you may want those effects; talk can help and you may want that help. Antidepressants and psychotherapy can help not because they are the “treatment for the mental disorder of depression” but because chemical have effects and talk can help.

Why is recognizing the role of unhappiness in our lives an important feature of “rethinking depression”?
To acknowledge the reality of unhappiness is not to assert the centrality of unhappiness. In fact, it is just the opposite. By taking the common human experience of unhappiness out of the shadows and acknowledging its existence, we begin to reduce its power. At first it is nothing but painful to say, “I am profoundly unhappy.” The words cut to the quick. They seem to come with a life sentence and allow no room for anything sweet or hopeful. But the gloom can lift. It may lift of its own accord — or it may lift because you have a strong existential program in place whereby you pay more attention to your intentions than to your mood. One decision that an existentially aware person makes is to focus on making meaning rather than on monitoring moods.

How does following your Existential Program make it possible for people to take control of their lives?
Living authentically means organizing your life around your answers to three fundamental questions. The first is, “What matters to you?” The second is, “Are your thoughts aligned with what matters to you?” The third is, “Are your behaviors aligned with what matters to you?” You begin by removing the protective blinders that human beings put in place to avoid noticing the many painful facts of existence, including painful facts about their personality shortfalls. You decide to understand “what meaning means” to you so that you can proceed to lead your life in ways that feel personally meaningful. You choose to take responsibility for your thoughts and your actions and to lead life instrumentally. You accept and embrace the fact that you are the final arbiter of your life’s meaning. With this approach to life, each day is a project requiring existential engineering skills as you bridge your way from one meaningful experience to the next. By accepting the realities of life and by asserting that you are the sole arbiter of the meaning in your life, you provide yourself sure footing as you actively make meaning.

So much of what you propose is dependent on people accepting responsibility for their own life’s meaning. How does one arrive at such a definition?
Nothing is more important than meaning, and nothing is so little investigated. I encourage people to understand and embrace the fact that meaning — what we value, how we construe our life purposes, what we make of the facts of existence — is a completely subjective affair. Not only is meaning subjective; meanings are bound to shift and change. Once we accept this view, meaning is always available to us. It is waiting for us. All we need to do is think and act in ways that tease it out of its latency. What we are teasing out is a certain psychological experience. Things do not have meaning; human beings experience meaning. Some activities, such as service, ethical action, and self-actualization, and some states of being, such as contentment, appreciation, and intimacy, are regularly experienced as meaningful. A list of these meaning opportunities make for an excellent “meaning menu” to peruse as we decide where we want invest our human capital. But they are not intrinsically meaningful. They are only meaningful when they are experienced as meaningful.

How does being one’s own meaning-maker affect how one approaches important decisions about life?
You weigh your actions against a vision you have of the person you would like to be, the person it would make you proudest to be; you take action; you learn from your experience to what extent you guessed right; and you make use of what you’ve learned as you weigh your next decision. We can give this a shorthand name: the principle of personal pride. We use the principle of personal pride to make our meaning. This may be the beautiful, imperfect, harrowing way — the way of making meaning.

How do you suggest people go about creating a life-purpose vision?
You might start by creating a life-purpose sentence or statement. In one great gulp you take into account the values you want to uphold, the dreams and goals you have for yourself, and the vision you have for comporting yourself in the world, and then you spend whatever time it takes turning that unwieldy, contradictory material into a coherent statement that reflects your core sentiments about your life. Your life-purpose vision is the inner template by which you measure life, and it remains that measure until you revise it. When you agree to commit to making meaning you agree to participate in a lifetime adventure. As you live you gain new information about what you intend to value and what you want your life to mean.

What guidance do you have for people experiencing what you describe as a meaning crisis?
Meaning crises cause profound unhappiness. When meaning leaks out of our life and our subjective psychological experience is no longer positive, we are obliged to restore meaning, or we will find ourselves bored, unhappy, or worse — in despair. I write extensively about possible options when a meaning crisis occurs, but I believe that one can handle the inevitable meaning crises that arise in a sensible, systematic way, by asking and trying to answer these questions: Do you want to deny what’s up? Do you want to buck up? Do you want to engage in some hopeful reframing? Do you want to make small, strategic changes, seize some new meaning opportunities, or make a huge change? By asking and answering these questions you begin to get a grip on the situation.

Why is embracing responsibility for making one’s own life meaning so liberating and such an antidote to depression?
As you become expert at existential self-care you begin to understand the extent to which you create meaning and the extent to which meaning is a deep, inexhaustible wellspring and an infinitely renewable resource. You can invest the increments of time that rise up before you with appropriate meaning: there is always another meaning available. You make it; it comes out of you; it is new each day; it is infinitely variable. You arise each morning and make your next meaning decision. When you arm yourself with your intentions and act this bravely your unhappiness can’t linger.

Fatty’s first ever celebrity interview (and a book that will make you purr)

I don’t really want to encourage him, as he’s already too big for his furry boots, but Fatty has had his first celebrity interview at the author Tom Cox’s blog, Under the Paw. Read it here.

He’s rubbing shoulders with Maggie Philbin’s cat, and Vicky Hall’s - I fear it’s only a matter of time before he’s more famous than me. Or, wait, have people been reading this blog hoping for news of Fatty all along??

The pud on the left is in classic Fatty pose but it isn’t actually Fatty. It’s Janet – one of the (male) stars of Tom’s latest book, Under the Paw.

In it he confesses to being a Cat Man with capital letters, and introduces us to his growing herd of cats. By the end of the book, there are six.

The book is very, very funny. I defy you to read a single chapter without chuckling out loud. It might also make you cry. Buy it on Amazon, or join the Facebook page, or follow Tom on Twitter, or any combination of the above.

And don’t leave any comments for Fatty on his interview. He’ll be wanting his own blog next.

When You’re Falling, Dive

I finished this book yesterday. It’s a collection of fable-like stories from the author’s life – his own or others, including Joan Didion, Isabel Allende, Eckhard Tolle and others.

It asks why ‘some people blossom in advertisy while others fall apart’, and several themes run through the book – spirituality, buddhist ideas, ‘waking up’, transforming adversity and vulnerability into strengths.

The style of Matousek’s writing ocassionally grated on me, especially his under-use of the word ‘said’ and over-use of ‘explained’, ‘asserted’, ‘asked’ etc. (I wonder if someone made him take the ‘said’s out to make it more ‘interesting’).

Having said that, the stories speak for themselves. The book contains a great deal of wisdom, and it’s also very accessible and engaging – as stories (at their best) are. Definitely a good one for the bedside table. I’ll leave you with a random quote from the book.

*

Saint Augustine said that we can only know what we love. And to know something is to know it’s not yours. We’re guests in this hotel, after all; even the ashtrays will have to stay. Still, attachment is bound to happen. We imagine our live to be an accretion, an increase of layers solidifying the identity that holds us down to the ground. But what if the opposite’s even more true, that we’re winnowed away, worn down by time, pushed into transparency? What if we’re humbled, without being severed, in order that we may move through the world with less friction, less regret but more desire, less protection but more love?

Michael Kimball made me cry (again) and channeling voices

Michael Kimball made me cry back in April when he visited Planting Words as a part of his blog tour for Dear Everybody.

I read his second book, How Much of Us There Was, in a single sitting at the weekend. It seemed criminal to gulp it all down in one go but I couldn’t help myself.

“A husband wakes up to find that his wife has had a seizure during the night. An ambulance is called and she is rushed to the Intensive Care Unit at a nearby hospital, where she lies in a coma. By day he sits anxiously beside her. He tries to think of ways to wake her up.”

Like Dear Everybody, this book is a distillation of what it is to be human. The voice of the grandfather is utterly convincing, and sometimes the grief was almost too much for me to hold. As it says on the cover, ‘Be warned: this book has the power to made even the most hard-hearted of readers shed a tear…’ What a beautiful book. Thank you Michael.

There are extras at the back of the book, and in one of the interviews I was interested in Michael’s experience of writing:

I have an old friend who asked, after hearing me read from The Way the Family Got Away, if I were channeling voices. I had never thought of that before then, but I do at times feel possessed by my characters – not in a crazy way, but maybe in the way that an actor does when they are in character. I heard their voices in my head and I live with them for a while, but writing them down does quiet them.

This is my experience too. I love that last part – they are glad that their stories have been told, and they can rest more easily.

*

In other news, I am 4 days into my new regime and my egogoolaholism is under control. No reading of blogs, no checking of ranks, and I’m feeling pretty chipper. One day at a time.

There’s a fine interview with Clare Grant of Three Beautiful Things over at 100 Readers – and another one will be popping up on Thursday. If you’re enjoying the interviews it’d be great if you could help me spread the word by blogrolling me for the duration of the project, or giving it a little mention on your blog. Ta!

Finally Rosie is a dream to drive and I’m still deeply in love. She has Blue&Me so when someone sends me a text message when I’m driving Rosie reads it out for me over the radio. My friend made her swear yesterday. Rosie didn’t mind – she can take a joke. Happy Tuesday.

Seeking silence

This week I finished reading Sara Maitland’s A Book of Silence.

When I first sat down to read it, I kept finding myself annoyed by whatever music was playing in the background. I decided to read it in silence, or rather the particular ‘silence’ of this rural-cottage-by-a-busy-road.

In it Maitland sets off on a personal exploration of silence – both by immersing herself in various forms of silence, and by reading of other’s experiences of silence down the ages.

In the latter part of the book she proposes two types of silence – a zen-like ‘dissolving the boundaries of the ego’ silence, and the almost-opposite – a Romantic ‘shoring up the ego’ in order to find our authentic voice. The first enables us to start letting go of our personalities, and the second leads us towards firming them up.

I found Maitland’s journey fascinating, and it also led me to ask some questions of my own. How ‘noisy’ is my life, with music, email, phone calls, blogging? How does this serve me and how does it cushion me, and from what? For a few minutes I was seriously considering getting rid of the lot – my blogs, my Facebook account, all that distraction. I decided not to, for now. I enjoy it, and on balance it feels ‘good for me’ despite the disadvantages.

But Maitland’s yearning for silence does resonate with me. It conjures the silences with my counselling clients, which can be so varied – from intense discomfort to an intimate ‘communing’ with the other person which is beautiful beyond words. It makes me think of the ‘work’ of sitting zazen, by myself or in a room of others. Or simply watching the goldfinches. Letting everything settle, slowly. Without the need for any of that noisy talk.

A Vengeful Longing by R. N. Morris

Do you like engaging, well-written detective stories with a sprinkling of gore?

Fancy your characters inhabiting smelly 19th Century Russia and having good Russian names, with some scene-setting historical detail that never gets in the way of the story?

Like the kind of book you don’t really want to put down?

In that case, A Vengeful Longing is for you. Or you might want to start off with A Gentle Axe, the first in the series, which I’m off to purchase immediately. Thanks Roger – hope you’ve already started the next one!

Encyclopedia of an Ordinary Life

Thank you to Jo for recommending this book, which I finished off over Christmas and which was very tasty.

Amy Krouse Rosenthal tells us the story of her life in encyclopedia form – an alphabetical collection of little random quirks and snippets.

I like the humour, the ordinary-ness (ordinary-ness is always good) and the entries that gave me a little frisson of ‘yes, it’s like that for me too!’ like the best comedians.

Here are a couple from the ‘E’ section to give you a taster…

EITHER

It’s either I don’t like you. You are just like me. Your presence confirms much of what I don’t like about myself or I like you. You are just like me. Your presence confirms much of what I like about myself.

*

ESCALATOR

One would think that by this point in my life, I would have outgrown the fear of getting my shoe caught in the escalator.