Category Archives: things that happened

Dead Mouse

Just outside our front door is a dead mouse.

He’s been there for a couple of weeks now. One of the cats (I suspect Silver, chief mouse-catcher) discarded him there – he didn’t have a mark on him.

Every time I walk in or out of the house, I look at him.

Last week, all of a sudden his hair came out and lay around him and covered him like a pile of autumn leaves. Puffs of it blew away in the wind.

Now you can see the skin, which is dark grey and leathery. His eyes are gone.

It reminds me of the Tibetan buddhist practice of meditating on death. It reminds me of Stephen Levine’s spiritual experiment, where he lived a year of his life as if it were his last.

When my friend Charlie came to stay this weekend, I pointed out the mouse as we carried in her bags, in the same way I pointed out the new plants in the garden. It tickled her. I mused that it was something a four year old might point out, and she agreed.

Maybe we lose our natural curiosity about death, because it becomes too painful to look. We wince, we predict of our own deaths, we think of everyone (and everything) we love.

What would it be like to remember it, as we lived our day today? Would we love our lives less, or more?

*

The Happy Buddha picture isn’t even really a particularly Tibetan Buddha, but he made me smile this morning, sitting on his cloud. And I thought you’d prefer it to a photo of Dead Mouse. He is beautiful in his own way, but maybe it’s harder to see it before breakfast.

How can we best help each other? (thanks Nana)

When I was a teenager, I was shopping in a supermarket with my Nana.

I’d picked something up (let’s say it was a nice packet of biscuits), and several isles later I saw some nicer biscuits and swapped them. I put the old packet down on the new shelf, where it didn’t belong.

Without saying anything, my Nana took the old packet of biscuits back to the old shelf. I scoffed at her. I couldn’t understand it. That’s what they employed the shelf-stackers for! Why would she go out of her way when someone else was being paid to fetch and carry?

Twenty years later, I understand. She took the biscuits back because it was the right thing to do.

As my life goes on, I’m less and less convinced that we can ever ‘tell’ anyone else how to be a better person, or how to make better choices.

First of all, who knows if we’ve got it right anyway? Who are we to know how someone else should be living their life? (Or our own, for that matter.)

And secondly, people often behave in a certain way through necessity. How can we know why they are clinging to their old behaviours? ‘Mean’ people may be terrified of not having enough. ‘Lazy’ people might be truly exhausted.

If at the time my Nana had said to me, ‘You lazy child, you should take the biscuits back to where you found them’, I wouldn’t have got it. I would only have heard the ‘ought’. When I look back now, I see that she was modelling a good way to be. Not because she wanted to teach me a lesson, or because she felt she ought to take the biscuits back. It was natural to her – it was simply the right thing to do.

Maybe the best way to help each other is to focus on ourselves. If we can try and be our best version of ourselves, maybe one day we might help someone else to find their own better selves.

Our choices have consequences beyond our imagination. How could my Nana know that I’d be writing this blog post about her small action, twenty years on?

*

Vetch, Meadowsweet, Celandine

She was talking about
her Zen teacher, Katagiri.
She said it can be twenty years
before you understand.

When mum pulled my best
dress from the wardrobe
on an ordinary day,
I didn’t know she was saying
nothing lasts. Enjoy it
while you can.

And when dad told me
I gobbled books too fast
and tested me afterwards
he wasn’t telling me off
but urging me to taste things
properly. A skimmed book
is a waste of time, and time
runs out.

They dragged me on long walks,
tried to teach me the names
of wildflowers, birds, I didn’t
realise they were showing me
a new way of looking, a way
of loving the world.

Everything goes in.
Twenty years later, more,
I want to say: your words
have now borne fruit. I understand.

*

And some very relevant quotes from Rosy at Red Room (thanks Rosy)

‘Be kind because everyone you meet is fighting a hard battle.’ Plato.

‘When we see a woman walk along the street, how do we know she is not some brave agoraphobe flinching from the brutal sky?’ Margaret Drabble, The Waterfall.

Peculiar cats and ginger ice-cream

Cats are peculiar creatures.

They find themselves a favourite spot and return to it again and again. Silver (pictured) spent some months squeezed into the gap between the rug and the wall underneath the radiator, and she currently can’t be budged from the back cushion of the sofa (which is much saggier than it was before).

I’ve always been amused by the dogged (ha ha) persistance of their habits, followed by sudden and completely unpredictable switches to sleeping somewhere new.

Last week I went outside to eat a tub of ginger ice-cream.

It was a hot day. I moved one of the chairs from its usual spot in front of the house to the shade of the hedge. I enjoyed the new view – the sliver of road, the big trees, the quiet. I’ve been sitting there ever since.

Maybe it’s impossible to make assumptions about how logical/illogical or sensible/silly someone else’s decisions are until we’ve walked in their shoes for a while. Or their paws.

Are you sitting comfortably? Then I’ll begin…

I have a habit of turning ‘things that happen’ into little stories. When I drop a plate, I think ‘ah – this is telling me that I need to slow down’. Everything is a lesson. I did this a lot in my book A Year of Questions. So let me tell you a story…

Last night I was listening to birdsong on my wondrous red ishuffle when a buzzing started up in my right ear, as if a tiny bee had got trapped in the ear piece.

I’m not techincal, and so I shook it really hard. It worked. As I listened to the lack-of-buzz I thought – this could be a little story. Sometimes when something is broken we need to shake it very hard. It needs shaking so hard that it might break, but we need to shake it anyway… I was just getting to the end of this story when the ear piece started buzzing again.

OK, I thought. That wasn’t the right ending. Violent shaking is never a good solution. Hard shaking only happens when we don’t know what else to do… There – I can write my blog post now.

And THEN I thought, maybe this story isn’t about that either.

We like to think that stories have neat endings. Happy ending, sad ending. Important moral message. All of these endings are abritrary. If we stop the story at this point in our friend’s marriage, it’s a love story. Wait another few years for the divorce, and it’s a tragedy. Which is true?

Telling stories is a good thing. Listening to stories, and thinking about how they might illuminate our own situation, is a good thing. Don’t start feeling smug, though. Don’t feel ‘finished’. We never know for sure. We’re only stopping off – more of the story is always up ahead.

I hear those voices that will not be drowned

“I hear those voices that will not be drowned.”

These are the words pierced into the metal at the edges of this magnificent steel scallop shell. They come from Benjamin Britten’s opera Peter Grimes. The shell was created as a tribute to Britten by Maggie Hambling, and it sits on Aldeburgh beach in Suffolk.

I was in Aldeburgh this weekend with a good friend to listen to poetry. She hadn’t seen the sculpture before, and so we tramped down the pebbled beach to see it. I picked up a perfectly smooth pebble speckled with blue. The sea sang. The pebbles gave under our feet. The cold rubbed at our faces.

It has changed colour since I first saw it, in 2004, from blank silver to a subtle palette of terracotta rusts. It is battered around the edges as if the wind and the water has shredded it, fragmented it. Hambling intended the piece to be ‘in conversation with the sea’. I put a hand on its flank, as if it were a horse.

The shell has a special significance to me, as it is where the final scene of my novel, Thaw, takes place. My troubled character Ruth comes home to the sculpture at the end of her torturous journey. I can’t tell you what happens. I feel so fond of Ruth, as if she is one of my children who now lives too far away for me to visit her. I left her there, sitting on the pebbles with her arms around her knees, and my friend and I walked back along the beach. The scallop shell is there to hear her voice, and mine, and yours.

Leaf snow and ocelots

The wind just got excited and blew hundreds of leaves from the tree as if it was a birthday candle. They travelled horizontally for a little way before starting their lilting journey towards the grass: leaf snow.

I don’t know the name for the tree I’m talking about. I am a writer – I should know the names for trees. I can tell you it’s tall, that the oval-shaped leaves are cut into curves, that it’s turning a dirty orange. I could describe to you how it sounds, or what the bark feels like against my fingertips.

None of this would give you as much information as a single word. Ladybird. Pencil. Bobble-hat. Iceberg. Ocelot. Aren’t words amazing?

Oak? (hangs head in shame)

Snow in October + sinister dark smoke = happiness

This morning I woke to several inches of snow, and a boiler flume belching black smoke up into the eaves of our thatch, having painted all the spider’s webs black.

That’s fine. The boiler man came yesterday to do some fiddling about, and said we might need to call him again. And it gave me the excuse to trudge through the crisp snow to the log-pile, and build a fire in the woodburner.

I am now installed downstairs with earl grey, the smell of woodsmoke, warmth, a curled cat on my lap (which makes typing this bad for my back as I hunch over to the laptop), and a blank morning waiting to be filled with words. What more could any writer wish for?

PS the photo is of our snowlady – we made her last time it snowed – note her impressive cup size.

My school report aged 9, and a letter from Roald Dahl

Yesterday my dad sent down a letter I’d received from Roald Dahl when we were living in Asia. It was posted in 1984, and in it he says that my fan letter was the second he’d received that week from Malaysia.

At the bottom of the short typed letter is his signature in faded blue ink. The great man himself was holding the pen that made those marks. Maybe he was even sitting in that battered old armchair in his shed, where he created Danny Champion of the World and the BFG. Imagine!

My dad also included a school report from when I was ’9 years and 3 months’. And I quote:

Fiona is an excellent reader for her age. She reads in a fluent, expressive manner with very good comprehension of the text. Her creative writing is always a pleasure to read and contains some imaginative ideas.

Is a passion for words something we’re born with, or something that develops as a result of the specific circumstances of our lives? I like to think of my relationship with books as I would any other relationship. Books were there for me from an early age. They gave me information, they gave me pleasure, they understood me. They helped me to find my voice.

Thanks to mum and dad, for reading out loud to me and for buying me all those books. Thanks to Roald Dahl for replying to a letter from a nine year old little fan in Malaysia.

I hope my writing still contains some imaginative ideas. And it’s interesting to see that some other things haven’t changed either. Here’s the P.E. section:

Fiona’s individual work in the gym and on the games field is sometimes rather half-hearted. She is a little timid in her approach to apparatus work and seems rather wary of the ball when practicing ball skills.

Watch out for that ball!