Monthly Archives: June 2010

Win free books, and daily drudge

I can’t quite believe it’s July tomorrow. Will the world slow down a little, please? I don’t want to stop it so I can get off, but I would like to do something about the blur.

It’s the last day of my competition, so if you’d like to win a signed copy of Thaw, The Blue Handbag or The Letters, just email me at fiona@fionarobyn.com and let me know which one you’d like. I’ll announce the winners tomorrow.
Today I need to: fill up the windscreen washers. Do my accounts. Wash up. Apply for a new driving license. etc. etc. Or another list would be: watch deep blue liquid sloshing into a tube. Line up figures in a row. Sink my hands into hot bubbly water and listen to the clatter of plates under water. Walk into a magic booth and then watch for the little square pictures of me to pop out.
How can you transform your daily drudge into something holy?
(PS I can see aqua pots of shocking pink geraniums from where I type. They are saying ‘wake up!’)

Peonies, and how much it hurts to open

The dark pink peonies at the front of the house are already frazzled, blown. Their tight spherical buds are so eager to burst into blowsy blossom, and their time is so short.

It’s not always easy to smell the flowers. Our lives crowd us out. The fear deep inside us (look deeply enough – it’s there) is desperate, ties us in knots, tells us we should look away, tighten.
Be kind to your tightening self. It knows how much it hurts to open. But opening is the only way. Get back up onto the bucking horse. Go forwards. Don’t go alone. Be kind to your tightening self.
I have to leave my laptop now to drink my mint tea, slowly, in the sun. While the birds go about singing their daily praise. While the gorgeous peony petals float on the breeze.
*

Mind Wanting More


Only a beige slat of sun

above the horizon, like a shade pulled

not quite down. Otherwise,

clouds. Sea rippled here and

there. Birds reluctant to fly.

The mind wants a shaft of sun to

stir the grey porridge of clouds,

an osprey to stitch sea to sky

with its barred wings, some dramatic

music: a symphony, perhaps

a Chinese gong.


But the mind always

wants more than it has –

one more bright day of sun,

one more clear night in bed

with the moon; one more hour

to get the words right; one

more chance for the heart in hiding

to emerge from its thicket

in dried grasses — as if this quiet day

with its tentative light weren’t enough,

as if joy weren’t strewn all around.


Holly Hughes


(thanks to whiskey river and via panhala)

Slowly turning into compost

Living things.

The grass growing. The giant walnut tree. The woodpecker on the feeder outside. Fatty with his chin resting delicately on his paws, asleep to the left of me. The people I love, going about their own mornings, eating toast, sitting at their computers, wherever they are. You. Me.
A toast to living things, ever-changing, brim-full of beauty, slowly turning into compost. Enjoy your weekends. Take care of your living things.
*


Living things


I have carried living things in my hands all week, sneaked up on
daddy-long-legs, pulled them off painted walls and held their
brittle bodies. I’ve picked up blue-black beetles like shiny stones,
moved them from inside rooms to out; they stick to my thumb,
they seem happy enough to cling on. Best of all, the two young frogs
who’d come onto the kitchen tiles to see what they could find.
I watched them bending their tiny legs, toothpick bones inside,
felt their rubbery skin against mine as they pushed away, they were amazing.
I have held living things in my hands all week, knowing
if I wanted I could close the space between my fingers.
And I think how it might have been for those two frogs, to be lifted up
so high, so fast: and when the light comes back they could be anywhere.

I want to speak to you

I want to speak to you, but I don’t know what I want to say, so I’ll just start typing and see where my fingers take me.


Last night I stood in my kitchen and watched a jay, only a couple of metres away on the outermost branch of the walnut tree. Here’s what I found when I googled him.

Garrulus glandarius: An attractive and colourful bird easily identified by the flash of brilliant blue on its wing. Other key features include a bold black moustache, a pale-pink-light brown upperbody and black tail.

Flash of brilliant blue. Bold black moustached. We can find poetry everywhere we look, if we are using the right eyes.

I have lots of different books on the go at the moment. Elizabeth Gilbert’s new one, Committed, about marriage. R. D. Laing’s The Divided Self. Mark Epstein’s Psychotherapy without the Self. Poetry – Brent Goodman’s the brother swimming beneath me, Roger Housden’s ten poems to open your heart.

Everywhere I look, when I am in the right frame of mind (of heart), there are gems. Little nuggets of wisdom that I can thread together with other half-thought thoughts and make a necklace. Points of intense feeling – ‘ah – that’s what it’s like for me too’. Or – ‘I see that differently now’.

When I’m in the wrong frame of mind (of heart), the words are tangled hedges, the syntax escapes me, the writer bores me.

How do we find the right frame of mind (of heart)?

I just walked downstairs to check my tiny jersey new potatoes which are boiling with a delicious blub-blub-ing sound. They will make potato salad for my lunch with Heather, and I hope their flesh will be buttery and yellow. As I stood at the stove with a sharp knife, testing their insides, the jay landed on the same branch.

The best answer I have right now is: Relax. Open. Let go. It’s all out there, waiting to offer itself to you.
(Here is what happens when we can get out of the way. Beauty like this.)

If you engage in travel…

Time to move the furniture around. I’ve got new templates for this blog, a small stone and a handful of stones this morning – I hope you like them.

At the weekend I walked through corn fields in the sunshine. We were walking to a cake shop that was shut, but it didn’t matter about the cake – the journey was the thing. Isn’t that often the way?
I like having an excuse to make a journey – a letter to post gives me a walk, and a cup of tea gets me away from my desk and onto the bench outside for ten minutes of listening to the birds. My new character April’s story will give me an excuse to get to know her.
It’s one of my favourite quotes – the one hiding at the bottom of this blog. If you engage in travel… Easy to forget. Easier to keep our eyes on the destination, but so often we miss the brilliant splashes of red at the roadside.
What are you neglecting to notice as you journey?
*
My colleague Sheree has a new project called Collected Memories, ‘exploring the genre of the family photo’. I was honoured to be asked to be involved : here are my words, and here is some more information about the project.

A lesson in characterisation (and just lying on the couch and being happy)

My new characters wait for me in the mist.

When I give them permission to come forwards (I did this a few days ago, by writing the name ‘April’ in the middle of a sheet of A4 paper) they shyly approach me.
Yesterday, whilst driving, I realised that April speaks to a man called Arthur in her story. I got to know Arthur a little (he’s fabulous, you’ll love him). I realised that she had a mum but I don’t know where her dad is yet. He’s not around. I’ll find out.
This morning, when slicing cambozola onto my toast, I realised that April feels squeamish about a lot of foods, especially meat and eggs. She’s not a vegetarian for ethical reasons, and sometimes eats chicken breast, but she can’t bear runny egg yolk or the fat and sinew in meat.
As I wrote this, I suddenly remember that she has red hair. Long, straight, red hair. I think I already knew this but I can’t be sure.
She’s just there, in the mist. It’s what Gary Snyder said about poetry. I have to be a receptacle for something that is already formed. I have to differentiate between what she is, and what I might want her to be. I have to tell her story, not mine.
My lesson in characterisation is this: let your characters characterise themselves. Get out of the way.
*
I am completely in love with Terresa’s blog, The Chocolate Chip Waffle, and vacillate between awe and envy. You should go see. This, for example, in which she considers everything. The words and images are just delicious.
*
This from Whiskey River this morning, which I just had to share with you all. A deep bow to the author of WR. In fact, I’ll email them right now. Enjoy your Thursdays, people, especially if you’re writing an essay…….
*
Any Morning
Just lying on the couch and being happy.
Only humming a little, the quiet sound in the head.
Trouble is busy elsewhere at the moment, it has
so much to do in the world.

People who might judge are mostly asleep; they can’t
monitor you all the time, and sometimes they forget.
When dawn flows over the hedge you can
get up and act busy.

Little corners like this, pieces of Heaven
left lying around, can be picked up and saved.
People won’t even see that you have them,
they are so light and easy to hide.

Later in the day you can act like the others.
You can shake your head. You can frown.

- William Stafford

Tell me what you’ve been given

This is birdsfoot trefoil.

I found it on my neighbour’s lawn. I called my mum to ask what it might be called. She didn’t know, but if it wasn’t for her I wouldn’t have noticed it in the first place.
She helped me to notice vetch, meadowsweet, celandine.
Dad showed me how to play. My English teacher enabled me to fall in love with poetry. Fatty taught me to hug him (like this) so his paw hooks over my arm. The goldfinches on the feeder this morning are asking me to look. This cup of earl grey is offering that I sip slowly.
Tell me what you’ve been given.
*
Thank you to Carrie for a lovely review of Thaw, here. Thank you to the people who are buying my novels on Amazon. And I’m glad that the white bird I found took Jeanette to this wonderful Mary Oliver poem.
*

Vetch, Meadowsweet, Celandine


She was talking about
her Zen teacher, Katagiri.
She said it can be twenty years
before you understand.
When mum pulled my best
dress from the wardrobe
on an ordinary day,
I didn’t know she was saying
nothing lasts.
Enjoy it while you can.
And when dad told me
I gobbled books too fast
and tested me afterwards
he wasn’t telling me off
but urging me to taste things
properly. A skimmed book
is a waste of time, and time
runs out.
They dragged me on long walks,
tried to teach me the names
of wildflowers, birds, I didn’t
realise they were showing me
a new way of looking, a way
of loving the world.
Everything goes in.
Twenty years later, more,
I want to say: your words
have now borne fruit. I understand.

Why do we help others? (and getting ready to write)

“…whenever we feel an urgency or longing to help, it’s often rooted in the fear of facing our own unhealed pain.”

This is Ezra Bayda’s proposal in his article ‘The “Helper” Syndrome‘ on Tricycle. He encourage us to be curious about what’s going on when we help others. Are we subconsciously seeking approval, or propping up our flagging sense of usefulness?

The questions feel very relevant to my work both as a therapist and as a writer. As a therapist I’ve already done some exploration, in training and in my own therapy, around what drew me to being a therapist. I like to contain other people’s chaos – it makes me feel safe. I like to be ‘the one who knows’. All these subtle motivations (which run alongside more ‘wholesome’ ones) will have an effect on my work with clients, and not being honest about them is more dangerous than including them in my acknowledgement of who I am.

As a writer, I have a drive to write which runs underneath any worldly expectations. But I am also riddled with compulsive needs for recognition, approval, fame, fortune….

I am getting ready to write my fifth novel. As always, I’ve no idea how to write a novel – how the hell did I do it before? And maybe more importantly, why do I do it? It’s no picnic in the park, writing a novel, you know.

What is helpful, though, is to remind myself of all the reasons why I write. Yes, I write because I want people to think I’m wonderful, to give me lots of money, to bow down before my greatness (!). But. I also write because I want to get to know my characters as they appear, which helps me to know myself. I want to try and make something beautiful. I want to share what little I know with other people – an offering. I want to offer my writing self to you all, in good faith.

Bayda again: “The question is: Where in our life do we do good, at least in part, to subtly solidify the self? Where do we get in our own way? Where do we use even our identity as a spiritual seeker,or the comfort of being part of something bigger,to cover the anxious quiver of being?”

I hope I can manage not to get in my own way too much, but to allow the writing to flow through me. To let my ego dissolve and become, as Bayda says, a white bird in the snow.

My new character is called April. I hardly know her, but I trust she’s got lots to teach me. I resolve to acknowledge all of my varied motivations to write, and to give them plenty of space. I resolve to offer myself to the service of the writing. I resolve to love being a writer, to be grateful for the opportunity.

What is your relationship with doing good? What do your resolutions need to be right now?

An ode to bagels (and other wondrous things)

How many cinnamon and raisin bagels (toasted and dripping with butter) have I eaten in my life?

How many times have I heard ‘Debaser’ by the Pixies, which is playing gloriously as I chew?

How many cups of fragrant earl grey? In this bone china mug with the orange flower? In other mugs, in other houses, with friends, without, with sadness, without?

How many times have I read the poem ‘The Blessing’ out loud, as I did last night, and felt sweet emotion rising in me as yeast leavens bread?

Which simple things bring you pleasure, over and over? Tell me.

Suddenly, I realise….

*

The Blessing

Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more, they begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl’s wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.

James Wright

A bit skint, and listening to the universe

I’m a bit skint.

I’ve hesitated to admit this here. Money still carries a fair old few taboos. It isn’t polite to talk about how much we earn, and it feels shameful to admit that I don’t always manage to manage my money.

I choose to earn less money in order to have luxurious swathes of time in which to write, so I don’t want to fool you with a ‘poor me’.

I also habitually hover on the boundaries of having ‘just enough’ money, and I’m suspicious that I subconsciously set this up so I can prove to myself that I’m an expert ‘coper’. I need to be an expert ‘coper’ or I feel panicky. So being a bit skint isn’t an unfamiliar place.

But anyway. After checking my bank balance yesterday, and doing some sums, I experienced that familiar stomach-knotting panic. I don’t have enough. How will I pay for going to France for a course in the summer? How will I pay my tax bill?

When I’d calmed down a bit, I wondered what the universe might be trying to tell me. I had a conversation with a friend, and he suggested maybe it was time for me to have a ‘financial fast’, in preparation for the next phase of my life (which I promise I’ll tell you about when I can). A ‘clearing out’ of some of the ‘old Fiona’. A going-back-to-basics, an existing on what is necessary. This fitted perfectly.

And so I spent the afternoon cutting back. I cancelled my mailing list subscription, which was costing me £20 a month, and a magazine, and my contact lenses. I bought vegetables and good basic ingredients so I can cook properly for myself rather than buying sandwiches. I cancelled a couple of trips. I offered signed copies of my novels for £8 (incl p&p for the UK – email me!) and reminded people of other places they could buy them.

That night, feeling much better (cleaner, leaner), I glanced at the money calculations I’d done that morning. Instead of adding up my various ‘incoming’ monies, I seemed to have subtracted all the smaller amounts from the biggest one. Not quite as skint as I thought.

I didn’t take this as the universe saying ‘oh, don’t worry about it any more, just keep on spending’, but as a sign that I’m on track. I’m looking forward to a few quiet months – inviting friends round for food rather than going to restaurants, reading books (which are waiting for me in piles) rather than going to the cinema. Making the most of this lovely rural place.

It could be the universe speaking to me, or it could be my own deepest intuition, finding a way of being heard. I could be fashioning signs from what is merely random. It doesn’t matter. I got the message, and the message has been helpful.

What is the universe trying to tell you at the moment?