We can treat desire the way we treat everything else in meditation. This means accepting it as it is, not pushing it away and not holding on to it. In Eros the Bittersweet, a big inspiration for my own book, the Canadian poet and classicist Anne Carson points out that desire implies the presence of three things: the lover, the beloved, and that which separates them. In other words, there is always a gap, an obstacle, impeding the union desire seeks. This obstacle seems like a problem, and we want to get rid of it. This is clinging. I propose that if you relate to desire in a different way—if you learn how to simply dwell in the gap it opens up—then desire can become a teacher in its own right. In practical terms, this means learning to desire without expectations.
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Words plucked out of the air
some forty years ago
when I was wild with love
and torn almost in two
scatter like leaves this night
of whistling wind and rain.
It is my heart that’s late,
it is my song that’s flown.
Outdoors all afternoon
under a gunmetal sky
staking my garden down,
I kneeled to the crickets trilling
underfoot as if about
to burst from their crusty shells;
and like a child again
marveled to hear so clear
and brave a music pour
from such a small machine.
What makes the engine go?
Desire, desire, desire.
The longing for the dance
stirs in the buried life.
One season only,
and it’s done.
So let the battered old willow
thrash against the windowpanes
and the house timbers creak.
Darling, do you remember
the man you married? Touch me,
remind me who I am.

