Category Archives: surviving being a writer

The Letters: good review, bad review, praise, blame

“A bit disappointing. The story ambled along for ages, giving no indication of where it was going, with lots of rather pointless looks at the main character’s youth. There’s also the mysterious letters that have no purpose in the story until the very end, when the reason for them is revealed totally out of the blue.”

Is that true? Is my book disappointing and rather pointless?

“The Letters flings the reader up onto an edge of adrenaline fuelled frisson before dropping you into fur lined ruts where you could happily luxuriate forever.”

What about that? Which review is true?

I think both are.

Here’s what started me thinking about this. I found this short review of Michael Kimball’s How Much of Us There Was. “…possibly the dullest book ever written.” Horror! How could someone think that about such a moving, exquisitely written, profound book?

Then I remembered that for that reader, it WAS probably the dullest book ever written.

It’s very important for all of us to remember this. Maybe it’s especially important for us writerly types, who (if we’re very lucky) have to listen to a lot of praise. Here’s what the Buddha said…

“Praise and blame and loss, pleasure and sorrow come and go like the wind. To be happy, rest like a great tree in the midst of them all.”

And a great quote by Dereke Bruce, which also gave me the excuse for the photo for this post:

“In order to keep a true perspective of one’s importance, everyone should have a dog that will worship him and a cat that will ignore him.”

My name is Fiona, and I am an egogooglahohic

It’s that good old cocaine lure of success again.

I’ve been struggling with my addictive egogoogling behaviour for a while, but over the past few weeks it has been getting ridiculous.

Putting my name in Google. Checking my blog counters. Going on Facebook. Checking the Amazon rankings of all my books. Looking on Goodreads to see who’s reading my books. Going on Facebook. Oh – a little bit of writing. Putting my name in Google again.

I think I hit my rock bottom. I’m going to give myself the gift of a whole month free of all of that stuff – no looking at my sales figures, no reading blogs, nothing. I’ll review the situation after that month is over. I’m scared and excited. If you see me on Facebook before July 13th, tell me to get out of there.

Anne Lamott describes this phenomena so well in Bird by Bird that I’ll leave you with her words. Have lovely weekends x

*

One more thing about publication: when this book of mine came out, the one that did pretty well, the one that necessitated the buying of a new dress, I found myself stoned on all the attention, and then lost and derailed, needing a new fix every couple of days and otherwise going into withdrawal. My insides became completely uninhabitable, as if I’d wandered into a penny arcade with lots of bells ringing and lights flashing and lots of junk food, and I’d been there too long. I wanted peace, peace and quiet, but at the same time I didn’t want to leave.

I was like one of the bad boys in “Pinocchio” who flock to the island of pleasure and grow donkey ears. I knew my soul was sick and that I needed spiritual advice, and I knew also that this advice shouldn’t be terrible sophisticated. So I went to see the pastor of my son’s preschool.

The pastor is about fifteen. We talked for a while. It turns out he just looks young. I said that I was all over the place, up and down, scattered, high, withdrawing, lost, and in the midst of it all trying to find some elusive sense of serenity.
“The world can’t give that serenity,” he said. “The world can’t give us peace. We can only find it in our hearts.”
“I hate that,” I said.
“I know. But the good news is that by the same token, the world can’t take it away.”

Reminder to self: slightly younger Fiona encourages Fiona-of-today

When writing yesterday, I couldn’t find the name of one of my characters. I was sure I had named her.

Whilst rummaging about in my Word folders, I came across a document titled ‘Reminder to self’. What could this be? I wondered.

The file was created in January last year. I have no memory of writing it, or the contents. But whoever it was who wrote it seemed to know what they were talking about.

I’m putting it here in the hope that it might help someone else who’s writing a first draft, or just about to redecorate the living room, or anything else that feels big and scary. I should listen to myself more often ; )

PS random photo of a lovely cow because I couldn’t think of anything appropriate.

Reminder to self

It’s not your job to decide whether or not the characters are believable, the plot is exciting, the speech sounds genuine, etc. etc. (obviously that is my job but NOT whilst writing the first draft – later!)

It is your job to write 1000 words a day about Joe and his aunt. Write the story, and if you get stuck then just write 1000 words on what kinds of clothes Joe wears, or what happened at his first day at school. That way you’ll eventually find your way into the story. You might not know what the story is until you’ve written the whole first draft and you can suddenly see what it is. That’s fine – that’s part of the writing.

Don’t forget the details.

Try and enjoy it – this can be fun! It’s less fun when you pretend you ‘have’ to do it, that your survival as a writer and as a person depends on you doing it, and doing it bloody well, that you only have one more chance to write a good novel or you’re doomed. All the stories you tell yourself about writing being hard, about first drafts being difficult – none of these really help. It’s self-congratulatory. (NB I don’t think that last sentence makes sense – I must have been thinking of a different phrase)

Be kind to yourself.

Just write your 1000 words, THEN you can add to this list/do the washing up/have a cup of tea. OK – just write 10 words – and then 10 more.

On being just the typist (and tomato plants)

Elizabeth Gilbert wrote a book called Eat, Pray, Love – you might have heard of it. It did extraordinarily well.

I usually avoid books that sell trillions because of my contrariness, but I did read this, even though there was a quote by Britney on the cover.

I thought it was a great book – well written, intelligent, and full of soul. I particularly loved a gruff character Gilbert meets in an Ashram who had a knack for speaking the unadulterated truth.

Yesterday I found this little video of Gilbert talking about her experience of being mega-popular. (Sarah found it first – I ought to call this blog ‘things Sarah Salway found first’). She’d started wondering about genuis and how artists have survived the gap between their work-of-genuis and their human ordinary-ness throughout history.

It reminded me of when I wrote a while ago about ‘just being the typist’. I don’t quite see my writing as coming from a man with a beard up in the clouds, but I do acknowledge that the greater part of my work is beyond my conscious control. My characters and my stories come from deep inside me.

My writing grows like tomato plants. I’m responsible for making the compost (living a rich mindful life including lots of reading), planting the seeds (getting the words down) and looking after the plants when they’ve grown (doing lots of drafts until it’s as perfect as I can get it) but the plants grow all by themselves.

Listen to Gilbert speak on the subject (I also want to be her friend now) and let me know what you think.