Kaspa writes: If I lean back and stretch my neck and head to the right and look through my window I can glimpse the worn out prayer flags barely moving on this still, clear day. Sometimes, early in the morning, they look as if they are glowing when the sun shines through their thin fabric.
When I ease into a more comfortable position the window fills with the rebuilt walls and roof of the old coach house. The slates and bricks might be two hundred years old, but they have been recently laid in new straight lines. The edges of the slates are rough, revealing their thin layers.
Above the roof the sky is soft white clouds with wispy edges, against pale azure nothingness.
Any of these places are places to begin writing about.
In Zen and the Art of Motorcycle Maintenance Robert M. Pirsig talks about a student he once had. She had chosen to write an essay about the town she lived in, but didn’t know where to start. Pirsig directed her to a single brick up high in the side of the town hall and said, “Start there.” She turned in a great essay.
As I sit typing, my neck is zinging pain signals at me. There is tightness there. I can feel an insistent pressure between two vertebrae at the back of my neck. There’s a story here.
I sneeze; hay-fever, I think. The big fields of rape-seed in the valley have just come into golden-yellow flower. I pull a tissue out of the pocket of my red trousers. The tissue is stained pink, and smells like fabric softener. Tiny pieces of soft paper sprinkle out into the room and all over me. There’s a story here.
A blank page can be overwhelming. But anywhere is a good place to start, if you pay the right kind of attention. Be curious, be opened hearted, choose a thread and keep pulling at it.
The sun has moved a little and lights up the dirt on my window. I can make out the shapes of rain drops imprinted in the dust. Brick dust from the building work on the coach house? Dust in rain carried from the desert somewhere? There’s a big old bird poop in the middle of the window. The rain has washed most of it away, but the shape remains like a shadow or a ghost. How many stories are here?
We don’t need to be in the midst of great conflict or feel fraught or like we’re trying to work something out in order to create something good. Just start paying attention. If you need more advice than that, then start by paying attention to the things people usually forget to see.